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- <text id=93TT0616>
- <title>
- Dec. 06, 1993: The Arts & Media:Television
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1993
- Dec. 06, 1993 Castro's Cuba:The End Of The Dream
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- THE ARTS & MEDIA, Page 88
- Television
- Ted Turner Goes Native
- </hdr>
- <body>
- <p>TNT's Geronimo leads off a yearlong series on Indians
- </p>
- <p>By Richard Zoglin
- </p>
- <p> The political voyage of Ted Turner continues. First, the cable
- entrepreneur became a full-time booster of East-West friendship,
- sponsoring the Goodwill Games. Then he took up the cause of
- the environment. Now he is launching his most ambitious educational-programming
- venture yet: a yearlong series of shows about Native Americans.
- </p>
- <p> The project will include six to eight TV movies (the first two
- airing on Turner's TNT this month); a six-hour documentary series
- on Native American history (coming next fall on TBS); and a
- 20-part series of reports, The Invisible People, focusing on
- contemporary Native American issues (on CNN in late 1994). It's
- a praiseworthy effort for at least two reasons. First, at a
- time when TV viewers are being regaled with lavishly researched
- documentaries on everything from the Civil War to Duke Ellington,
- American Indian history is still largely ignored. Second, Turner's
- effort seems sincerely aimed at making a contribution, not just
- a buck.
- </p>
- <p> It could do both. Geronimo, the TNT movie that launches the
- series next week, recounts the life of the notorious Apache
- warrior with more empathy for Native American culture than ever
- before, but not without its share of gun battles and scalping
- parties. (Scalping by the Mexicans, that is; the practice, we
- are told, was only later appropriated by the Indians in retaliation.)
- The film has an elegiac tone, opening at a Fourth of July celebration
- in 1905 attended by an old, sad-eyed Geronimo, by then something
- of a historical sideshow attraction. In flashbacks we see the
- education of a rebel, a young warrior who turns vengeful after
- his wife and baby are killed in a massacre by Mexican troops.
- A whiff of political correctness hangs over the show, as does
- some needlessly stilted dialogue ("The one who was my father
- has been gone from us many years"). But these are overcome by
- the film's compassionate attention to a culture traditionally
- manhandled by Hollywood.
- </p>
- <p> The Broken Chain, which debuts a week later, goes back a century
- earlier to the confederacy of six Iroquois tribes, an alliance
- that was shattered by conflicting loyalties during the American
- Revolution. The focus again is on a legendary rebel--Joseph
- Brant (Eric Schweig), an Iroquois warrior educated in English-speaking
- schools, persuaded his tribe to support the British during the
- revolution and later became a marauding terror to colonial settlers.
- The acting is more wooden and the drama more sketchy than in
- Geronimo. Yet the history lesson--that principles of the Iroquois
- confederacy were an important influence on the American Constitution--is well told.
- </p>
- <p> In giving the Indian perspective on American history, the films
- cannot resist a few cheap shots. When Iroquois representatives
- visit the Continental Congress in Philadelphia, they get warm
- praise from Benjamin Franklin. "Well done, Franklin," a colleague
- confides later. "You do know your savages." (Franklin's smug
- reply: "Thank you.") Still, these films show that TV history
- can do more than just confirm our prejudices and indulge our
- nostalgia (as in the recent orgy of Kennedy retrospectives).
- It can actually tell us something new.
- </p>
-
- </body>
- </article>
- </text>
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